Haus der Visionäre | Anahita Sadighi
As part of Featured 2025
Eichenstraße 4A, 12435 Berlin
Admission to the exhibition is free of charge. Please register in advance via the website (https://www.anahitasadighi.com/rsvp-exhibits).
On Friday, 12 SEP 2025, from 5pm—4am, there will be an extensive supporting programme, which includes performances and a party in addition to the exhibition. Admission on this evening costs 20.00€ per person. Tickets are available on the website (https://www.anahitasadighi.com/culture).
The venue is accessible at ground level and can be reached by wheelchair. If you have any questions about individual access needs, please feel free to contact us in advance via email.
Haus der Visionäre
Eichenstraße 4A, 12435 Berlin
S Treptower Park (S41, S42, S8, S85, S9) / approx. 10-minute walk
U Schlesisches Tor (U1, U3) / approx. 15-minute walk
Bus 104 and 194 (stop Bouchéstraße/Treptower Park)
Bus 165 and 265 (stop Eichenstraße/Puschkinallee)
Parking is available in the surrounding residential streets around Flutgraben as well as along Eichenstraße.
Haus der Visionäre is an experimental venue on the banks of the Spree that uniquely connects Berlin’s club and art scenes. With its open architecture and immersive sound infrastructure, it offers a unique setting for interdisciplinary, site-specific projects. As a platform for contemporary art, performance and music, Haus der Visionäre creates new points of access for a diverse audience.
Anahita Sadighi is a Berlin-based curator and gallerist working at the intersection of contemporary art, sound culture and ritual practice. Her projects explore how art can serve as a space for critical thought, cultural memory and collective responsibility. With a focus on transnational feminist perspectives, non-Western knowledge systems and underrepresented narratives, she realises site-specific installations, collaborative sound works and performative constellations. Her curatorial practice weaves together historical and contemporary viewpoints, fostering dialogues that transcend disciplinary, geographic and temporal boundaries. She approaches art not only as a critical medium but also as a catalyst for connection, resonance and repair – contributing to a more inclusive understanding of art and cultural history.