Ivo Dimchev—Metch
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Hallesches Ufer 34, 10963 Berlin
Monday to Saturday from 3pm until one hour before the performance begins, on days without a performance until 7pm. Closed on Sundays and public holidays. Evenings: The box offices (HAU1, HAU2, HAU3) open one hour before the performance.
A limited number of discount tickets is available for students, young people doing voluntary civil service, pensioners, welfare recipients, recipients of unemployment services I/II, disabled persons with identification, young people doing military service, work trainees, and those receiving assistance in the context of asylum. An identification card must be presented in person in order to qualify for the discount.
There are also a certain number of Sozialtickets available to those holding a Berechtigungsnachweis. These tickets may only be acquired at the venue box offices immediately before the performances. Premieres and special events excluded.
Persons with disabilities who require an accompanying person receive a reduced admission ticket, and the accompanying person receives free admission.We kindly request that wheelchair users notify our box office team at least one day in advance before a performance.
The TanzCard costs 15.00€ annually and is not transferrable. You get 20% off on a regular ticket for all our dance performances. The TanzCard can be purchased at the HAU2 box office. For more information on the TanzCard go to: www.tanzraumberlin.de/tanzcard
We welcome any feedback to improve, raise awareness and further create offerings. Please send us an email: [email protected] or call us: +49 30 259 004 27
HAU2 is accessible without stairs. There are two designated parking spaces next to the building (on Großbeerenstraße). There is a ramp and a lift that can be operated without assistance. The doors to the box office and evening box office open and close with the touch of a button, located to the left of the door. Sanitary facilities: There are sanitary facilities for people with disabilities. Wirthaus: The WAU opens one hour before the start of each event. The entrance is at ground level.
Arrival by public transport and directions
U1/U3 station Hallesches Tor
Here, the overlapping U1/U3 lines are elevated. In both directions of travel there are lifts. However, there is no tactile floor guidance system, and orientation is generally more difficult from here, as it is necessary to cross the major street of Hallesches Ufer to get to all of HAU's venues. For this reason, we recommend that those familiar with the area to take the U6.
U6 station Hallesches Tor
There is no tactile floor guidance system on the U6 platform. There is a lift. This can facilitate orientation, as it serves as an exit on the correct side of the street. There are additional upward escalators from the U6 platform as well as stairs at the northern end of Mehringplatz. A direct connection to the U1/U3 is only possible using stairs. Changing lines while using a wheelchair requires crossing the street (Hallesches Ufer).
U1/U3/U7 station Möckernbrücke
There are neither lifts nor a floor guidance system here. Because of this, we recommend taking the U6 to Hallesches Tor for barrier-free access.
Ticketing
Persons with disabilities who require an accompanying person receive a reduced admission ticket, and the accompanying person receives free admission. We kindly request that wheelchair users notify our box office team at least one day in advance before a performance via [email protected] or +49 30 259 004 27.
U Möckernbrücke und Hallesches Tor
S Anhalter Bahnhof
Hardly any parking spaces available
For many years, Ivo Dimchev has captivated audiences with his incomparably beautiful voice and the melancholic-but-dirty lyrics to his songs. At the same time, he constantly challenges a comfortable, leaned-back viewing experience, entering into a direct dialogue with his spectators to find out who is sitting in front of him. This is also the case in his latest work ›Metch‹, an interactive solo in which Dimchev brings together his own theatre texts, songs and paintings in search of new interweavings between his artistic obsessions. This is already evident in the title: Metch stands for Music, Exhibition, Text and Choreography. His unique mixture of anarchy and tenderness remains unmistakable and irresistible in this performance.
»Metch is a concert exhibition, an auction, an exercise, an excessive production of paintings, an obsessive dialog with the audience and of course the songs... I know many people come to my shows because they like my songs. For good or for bad those people will need to experience or crash with my very complex and unpredictable relationship to theatre, dance, politics, and contemporary art.« Ivo Dimchev
Press:
»Dimchev inspires a rare form of trust by cultivating an intimate community with the audience.« (New York Times)
»Dimchev is a first-rate lyricist, profound even when plain… As a performer, he slides effortlessly between masculine and feminine modes; his vocal range is equally protean, moving from a low baritone to a soprano embellished with theremin-like vibratos.« (The New Yorker)