Three site-specific performances during Berlin Art Week—Jelena Fužinato’s ›Incoming‹ (Hamburger Bahnhof—Nationalgalerie der Gegenwart), Sarah Aviaja Hammeken’s ›Soil‹, and Amina Szecsödy’s ›Mean Time‹ (KW Institute for Contemporary Art)—navigate belonging, migration, and power structures through a poetic lens. Drawing from personal narratives, the works engage in societal critique and uncover new dimensions within feminist and decolonial discourses. What fresh perspectives and opportunities for action do these artistic approaches unlock for those who experience them?