Collab Collab No one’s Darling 01.10.2025 — Hilka Dirks Working across media, Jesse Darling examines the fragility of social structures. The art world celebrates him—yet Darling resists being co-opted by the market. Galerie Molitor presents his first solo exhibition in Berlin. Paula Santomé, Paint Shop, 2025 © Szymon Stępniak for Berlin Art Week Collab Frauen, die sich um nichts kümmern 23.09.2025 — Laura Helena Wurth Im neu gegründeten Ausstellungsraum Paint Shop zeigt Paula Santomé Arbeiten, mit denen sie Weiblichkeit neu erzählt. Ruprecht von Kaufmann, Hauptstadt, oil, collage (Mylar) and wire on linoleum, 182 x 405 cm (three parts) Ruprecht von Kaufmann Collab Backyards, bins, and trams 23.09.2025 — Asta von Mandelsloh Haus am Lützowplatz presents paintings by Ruprecht von Kaufmann—stories of life in the big city. Margarethe von Trotta during the filming of ›Das zweite Erwachen der Christa Klages‹ (1978) picture-alliance / akg-images Collab How we speak to each other 22.09.2025 — Christina Irrgang n.b.k. presents Margarethe von Trotta’s cinematic oeuvre and, in parallel, three further projects about language. Mark Leckey, Made in ‘Eaven, 2004, 16-mm film, transferred to video, 2′, color, sound. Video still. Courtesy of the artist, Gladstone Gallery, Brussels/New York and Galerie Buchholz, Berlin/Cologne/New York. Collab Images about images 22.09.2025 — Philipp Hindahl Mark Leckey’s work moves between art, music, pop culture and technology—a new exhibition offers a comprehensive look at his practice. Alex Müller, Von der Hand an die Wand, Courtesy Haverkampf Leistenschneider, Photo: Ludger Paffrath Collab »Positive memory radicalism« 22.09.2025 — Laura Ewert In the Wilhelm Hallen, Alex Müller presents an installation comprising three hundred and forty letters sent from the GDR to the West. © Lukas Luzius Leichtle, 2025 Collab When the self becomes strange 16.09.2025 — Alicja Schindler Through his paintings, Lukas Luzius Leichtle explores the limits of the human body and perception. Issy Wood, Speeding / losing my touch, 2022 Issy Wood 2024, courtesy the artist; Carlos/Ishikawa, London; and Michael Werner Gallery, New York. Photography by Damian Griffiths Collab On the Edge 16.09.2025 — Anne Küper At Schinkel Pavillon, Issy Wood presents paintings in a hypermodern visual language that reflect the feelings of a generation shaped by the context of the smartphone.