Black, Green, Pink

The exhibition examines the use of color and the formations generated through movement that create pictorial spaces while simultaneously calling them into question. Taking abstract painting as its point of departure, as a historical artistic form marked both by its emancipatory ambitions and its ideologically conditioned limitations Black, Green, Pink translates its once revolutionary impetus into an artificial present and an unpredictable future. The works on view reflect on the fetishization of the hermetic nature of artistic practice, as well as on the social frameworks of art.