Menu DEEN Easy Language Sign Language Close Journal Featured Open Call My Favorites About us Participation Easy Language Sign Language Vacancies Archive Press Partners Vorsicht Demokratie! Shop Limited Bag Contact Newsletter Journal Collab Jesse Darling, The Contractor, 2025, Installation view Collab No one’s Darling 01.10.2025 — Hilka Dirks Working across media, Jesse Darling examines the fragility of social structures. The art world celebrates him—yet Darling resists being co-opted by the market. Galerie Molitor presents his first solo exhibition in Berlin. Paula Santomé, Paint Shop, 2025 © Szymon Stępniak for Berlin Art Week Collab Frauen, die sich um nichts kümmern 23.09.2025 — Laura Helena Wurth Im neu gegründeten Ausstellungsraum Paint Shop zeigt Paula Santomé Arbeiten, mit denen sie Weiblichkeit neu erzählt. Ruprecht von Kaufmann, Hauptstadt, oil, collage (Mylar) and wire on linoleum, 182 x 405 cm (three parts) Ruprecht von Kaufmann Collab Backyards, bins, and trams 23.09.2025 — Asta von Mandelsloh Haus am Lützowplatz presents paintings by Ruprecht von Kaufmann—stories of life in the big city. Margarethe von Trotta during the filming of ›Das zweite Erwachen der Christa Klages‹ (1978) picture-alliance / akg-images Collab How we speak to each other 22.09.2025 — Christina Irrgang n.b.k. presents Margarethe von Trotta’s cinematic oeuvre and, in parallel, three further projects about language. Mark Leckey, Made in ‘Eaven, 2004, 16-mm film, transferred to video, 2′, color, sound. Video still. Courtesy of the artist, Gladstone Gallery, Brussels/New York and Galerie Buchholz, Berlin/Cologne/New York. Collab Images about images 22.09.2025 — Philipp Hindahl Mark Leckey’s work moves between art, music, pop culture and technology—a new exhibition offers a comprehensive look at his practice. Alex Müller, Von der Hand an die Wand, Courtesy Haverkampf Leistenschneider, Photo: Ludger Paffrath Collab »Positive memory radicalism« 22.09.2025 — Laura Ewert In the Wilhelm Hallen, Alex Müller presents an installation comprising three hundred and forty letters sent from the GDR to the West. © Lukas Luzius Leichtle, 2025 Collab When the self becomes strange 16.09.2025 — Alicja Schindler Through his paintings, Lukas Luzius Leichtle explores the limits of the human body and perception. Issy Wood, Speeding / losing my touch, 2022 Issy Wood 2024, courtesy the artist; Carlos/Ishikawa, London; and Michael Werner Gallery, New York. Photography by Damian Griffiths Collab On the Edge 16.09.2025 — Anne Küper At Schinkel Pavillon, Issy Wood presents paintings in a hypermodern visual language that reflect the feelings of a generation shaped by the context of the smartphone. Charmaine Poh, The Moon is wet, 2025 (video still) Charmaine Poh Collab Beyond the taboo 05.09.2025 — Silke Hohmann Deutsche Bank Artist of the Year Charmaine Poh pushes back against her homeland’s restrictions. Erik Schmidt, Suitwatcher’s Anonymous, 2003 © Erik Schmidt / VG Bild-Kunst, Bonn, 2025, Photo: Dirk Messner Collab The skin of the city 05.09.2025 — Dominikus Müller Erik Schmidt is a Berlin art world fixture since the 1990s, oscillating between painting and video. Issy Wood, Study for then again 2, 2022 Issy Wood 2024, courtesy the artist; Carlos/Ishikawa, London; and Michael Werner Gallery, New York. Photography by Stephen James Collab Decay, Loss, Futility 05.09.2025 — Oliver Koerner von Gustorf Issy Wood chronicles messed-up millennials. Schinkel Pavillon hosts her first solo show in Germany. Roee Rosen, Night Skies with Full Moons Witness (2024) © Courtesy Roee Rosen Collab Art as resistance 05.09.2025 — Sebastian Frenzel HKW trains a lens on fascism. Calla Henkel and Max Pitegoff, Leilah Weinraub in ›Theater‹, 2024. Courtesy the artists Collab Where is the kinky journey leading to? 10.12.2024 — A*Desk and Arts of the Working Class The artist community is not merely a network of people united by art production and its institutions but a testament to transnational solidarity and cultural exchange. Artists, bound by their shared pursuit of artistic expression, navigate a world increasingly defined by mobility and displacement, where borders are omnipresent and contested. Alfredo Jaar, © Andrea Rego Barros, 2023 Collab Alfredo Jaar. There’s blood on your phone 17.09.2024 — Daniel Völzke Alfredo Jaar spotlights the tragic consequences of extracting natural resources at Kindl Centre in Berlin. Mariechen Danz, ›Digestive System 3d (fossilizing / extinct horn)‹, 2019. © Photo: Trevor Good Collab Mariechen Danz at Berlinische Galerie. Your kidney thinks with you 17.09.2024 — Boris Pofalla Gasag Prize Winner Mariechen Danz explores new scientific models at Berlinische Galerie. Oliver Bak, ›Bouquet‹, 2024 Collab Too beautiful to be true 09.09.2024 — Hilka Dirks At 32, Danish painter Oliver Bak is already being celebrated as a star. Just what makes his mystical paintings so sought-after? Rirkrit Tiravanija, ›Lung Neaw Visits His Neighbors‹, 2011. Courtesy of the artist. Collab Flädlesuppe, curry, and table tennis 09.09.2024 — Laura Helena Wurth Performance artist Rirkrit Tiravanija’s relationship with Germany, and Berlin in particular, goes back more than 30 years. Now, Gropius Bau is hosting the first survey exhibition to explore the connection.